Mike Levine

29th April 2026

Digital Performer 11: Working With Instrument Tracks

Mixonline • 22nd October 2024

Audio Gear Modeling Demystified, Part 2 - Mixonline

Mixonline • 21st October 2024

Audio Gear Modeling Demystified, Part 1 - Mixonline

Mixonline • 27th September 2024

Steven Slate Audio VSX — A Mix Real-World Review - Mixonline

Mixonline • 24th September 2024

Softube Flow Mastering Suite — A Mix Real-World Review - Mixonline

Mixonline • 26th March 2024

UAD Sound City Studios Plug-in — A Mix Real-World Review - Mixonline

New Jersey Monthly • 8th September 2023

Everything You Need to Know About Rowing in New Jersey

Mixonline • 17th August 2023

Brainworx bx_masterdesk Pro — A Mix Real-World Review

Mixonline • 2nd August 2023

Sound Radix Auto-Align 2 - A Mix Real-World Review

Mixonline • 14th February 2023

Sonible Metering Bundle — A Mix Real-World Review

Mixonline • 4th February 2023

The Oven — Mix Real-World Review

Mixonline • 20th January 2023

Moog Moogerfooger Effects Plug-ins – A Real-World Review

Mixonline • 21st June 2022

Universal Audio Spark – A Real-World Review

Yamaha Music • 2nd July 2021

Everything You Need to Know about Lossless Audio and ALAC

waves.com • 28th January 2021

Which Compressor Plugin Should I Choose for My Mix? | Waves

Audiofanzine • 26th November 2019

Award-winning mixer Michael Brauer talks techniques, gear and more

Mixonline • 4th August 2022

Focal Alpha Twin Evo – A Real-World Review

Yamaha Music • 20th July 2022

Talking Club Cubase With Greg Ondo

Mixonline • 13th July 2022

Flock Audio Patch LT – A Real-World Review

Yamaha Music • 6th April 2022

How to Create Lo-Fi

waves.com • 23rd December 2021

Safe and Sound: Protecting Your Ears While Producing Music | Waves

Mixonline • 5th October 2021

Real-World Review: Audio Design Desk 1.7

Mixonline • 22nd September 2021

Brainworx bx_console AMEK 9099 – A Real-World Review

New Jersey Monthly • 1st May 2021

Meet Gypsy-Jazz Guitarist Stéphane Wrembel